Tools
Whether your challenges involve day-to-day operations, or ambitious, transformative goals, we have tools to help you. From infographics and tip sheets to in-depth multimedia resources, these tools can:
- Transform museum learning at your institution.
- Activate your organization’s “soft power.”
- Offer practical solutions for even highly creative, non-traditional museum experiences.
- So much more.
Explore our tools by topic or by type to find what you need. Something specific you have in mind that is not here? Let us know by sending us an email at info@lord.ca.

This summer, Isaac Butler published an essay in The New York Times entitled “American Theater Is Imploding Before Our Eyes.” The publication sparked a lot of conversations among everyone in and near the performing arts. While there was general agreement with that diagnosis, there was far less consensus about the underlying cause and even less agreement about the best course of treatment. Please join Isaac, along with Nataki Garret (One Nation / One Project and Stephanie Ybarra (Mellon Foundation), for a wide-ranging, online conversation about the state of our field, how we got here, and where we might go next. The conversation will be moderated by Jamie Bennett (Lord Cultural Resources).
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Arts and culture play a tremendous part in Smart Growth America’s mission. Joy’s keynote discusses what practitioners have been taught on the role of arts and culture in cities and explores the following questions: Who is involved? Who is this for? Who gets to decide? How do we as practitioners/how have we democratized these processes in a certain way?
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Lord Cultural Resources is pleased to announce the release of its latest publication, the Manual of Museum Exhibitions 3rd Edition. To celebrate with us, we are hosted a webinar on the latest trends in museum exhibitions. During the hour-long webinar, we talked with the book’s editor, Maria Piacente, followed by a panel discussion with museum and cultural expert contributors.
WATCH VIDEOThis is a recording of the first session of the Creative Communities Commons (CCC) series at the School of Cities.
Gail Lord has developed a concept for an “Aware-house,” not a ware house, but an Aware-house as a place to put memorials and other works that have been removed from public squares. It is neither shrine nor graveyard, but a site of truth, reconciliation, and collective recovery where activists, artists, curators, historians, political scientists, psychologists, sociologists, and the public can come together.
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In this special, two-part episode, learn about Marcy Grossman’s public service career spanning 27 years -- up to her appointment as Canadian Ambassador to the United Arab Emirates (UAE). Yvonne speaks to Marcy about her experience as a Jewish woman working in a predominantly Arab country that’s just celebrated it’s 50th anniversary, the UAE’s achievements in economic growth, innovation, and the role of women in society. Marcy also speaks to the importance of Expo Dubai 2021 and Canada’s representation at the Expo among 191 participating countries. Finally, get insights on how the Canadian pavilion was used locally, on the ground, to showcase Canadian culture.
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On this episode Kathleen Brown, Vice President, Lord Cultural Resources speaks to Mary Kershaw about growing up visiting museums and embarking on a major strategic planning process at the height of the pandemic. Mary explains how the pandemic spurred ideas around the Museum and its future, as well as why strategic planning is important as the Museum looks ahead to its upcoming centennial.
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Gail Lord speaks to John G. Hampton, Executive Director & CEO MacKenzie Art Gallery, about the challenges faced by museum executives during an era of great change, as well as the reconciliation, decolonisation, and Indigenization of institutions. John also discusses Radical Stitch, the most significant exhibition of contemporary Indigenous bead work ever presented in North America.
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On this episode Yvonne Tang, Director, Visitor Experience, Lord Cultural Resources, talks to Liwy about the newly opened Museo Miraflores, its transformation and the ins and outs of implementation. Learn about Mayan culture and why Museo Miraflores is located on what was the southern end of the ancient Maya city of Kaminaljuyú. Liwy talks about how visitors are experiencing the new Museum and some of its most popular exhibits.
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In this episode, Kathleen Brown, Vice President, Lord Cultural Resources speaks to Corey Madden about her journey to the Monterey Museum of Art, the City of Monterey, its unique features, community, and its cultural scene. Learn more about how this identity has helped develop the vision for the reimagined Monterey Museum of Art and how this will shift the museum’s historical operations.
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On this episode Joy Bailey-Bryant talks to The Center for Black Excellence and Culture’s founder Rev. Dr. Alex Gee about the Center’s mission to enhance Black pride in Black achievement, innovation, and excellence, and facilitate the sharing of the Black experience through culture.
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In this episode, Director, Lord Cultural Resources Javier Jimenez talks to Dr. Gus Casely-Hayford, Director of V&A East about his journey to culture and his belief that it is a mechanism to connect people, cultures, and time. Learn about how COVID and the Black Lives Matter movement have transformed the nature of the arts and uniquely impacted the V&A, and Gus’s own efforts to connect to new audiences, new voices.
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Eve Moros Ortega, Director, Lord Cultural Resources, interviews Kitt Potter, the new Arts and Cultural Affairs Director for the City of Kingston, NY. Kitt has been charged with implementing the newly approved Kingston Arts and Culture Master Plan. Find out more what this cultural plan sets out, what it means for Kingston, and why investment in the arts is important.
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Lord's U.S. President Joy Bailey-Bryant talks with Marc H. Morial, President and Chief Executive Officer, National Urban League about the League's origins, how the concept of the Urban Civil Rights Museum evolved, and what makes it unique. Find out more about its new home, the Urban League Empowerment Center – one of the most significant economic development projects in Harlem.
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Museums, like all organizations, are grappling with the need to be more inclusive, diverse, equitable, and accessible. Because museums are caretakers of cultural history and among society’s most trusted institutions, the moral imperative to live IDEA values is even more urgent. Read this document to learn the key takeaways from a panel discussion on IDEA at the 2022 AAM Annual Meeting & MuseumExpo, moderated by Eve Moros Ortega, Director, Lord Cultural Resources.
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Technology allows arts organizations to tell stories better, share knowledge, understand audiences, and increase operational efficiency. To harness the possibilities of technology, organizations need to understand their own internal capabilities, incorporate digital assessment into their strategic vision, and plan for future digital opportunities. Now more than ever, it is critical that arts organizations adopt digital tools and technologies to improve their operations, engage audiences, and innovate new ways of artistic presentation.
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The inaugural Museums/Musées Canada Summit took place in Kitchener from April 3-6, 2022. Gail Lord, President and Co-Founder, Lord Cultural Resources spoke at the summit on "The New Context for Revisiting History Museums." Read her presentation to learn more about the challenges history museums are facing today and some ideas for shaping a path forward.
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In this podcast you'll hear discussions with Prof. Dimitrios Pandermalis, President, Acropolis Museum on the Parthenon Marbles, what museums should be, and what can they offer the public, the history of the Marbles with Paul Denis, Assistant Curator, Greek and Roman Galleries, Royal Ontario Museum, and this:
Under increasing pressure to right past wrongs and repatriate the cultural objects they house, museums potentially find themselves on the cusp of a great letting go – not only of artifacts, but of old roles. What then? A Q&A with Gail Lord considers unlocking a way forward, even as museums consider unlocking their vaults.